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by kataokatetsuya
The Japanese spirit: the heart that weaves invisible beauty
The word "esprit" embodies a cultural fragrance and spirituality that goes beyond...
Posted in
がま口,
エスプリ,
余白,
侘び寂び,
心地よさ,
感性,
手仕事,
日本文化,
暮らしの美学,
精神性,
継承,
美意識,
茶の湯,
見えない価値,
詩的な暮らし,
金継ぎ,
間,
静けさ,
風鈴
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by kataokatetsuya
The difference between Japanese and Western paintings in terms of "white space" - The philosophy of beauty that resides in silence -
The wor...
Posted in
WABISUKE,
アートと思想,
プロダクト哲学,
余白,
俳句,
感性,
文化比較,
日本画,
暮らしの美学,
省略美,
禅,
空間構成,
絵画文化,
美意識,
西洋画,
遠近法,
間,
静けさ
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by kataokatetsuya
Learning from the composition of ukiyo-e: the aesthetic sense of guiding the gaze—the invisible guide that moves the heart
The products and ...
Posted in
WABISU,
デザインのヒント,
ブランド表現,
余白の美,
日本美術,
構図,
江戸文化,
浮世絵,
美意識,
視線誘導,
間の感覚
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by kataokatetsuya
What is a clasp purse? - The aesthetic sense of "closing" that remains in Japanese life
What is a clasp? Is it a wallet? Is it a small item hold...
Posted in
がま口,
クラフト,
丁寧な暮らし,
京都,
伝統工芸,
千鳥,
和雑貨,
唐草模様,
懐かしさ,
手仕事,
文様,
日本の暮らし,
日本文化,
日用品,
暮らしの道具,
紗綾形,
美意識,
贈り物,
間の美学,
静けさ
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by kataokatetsuya
Designs that bloom in the margins - Ogata Korin and the aesthetics of WABISUKE
Design blooms in silence. Ogata Korin did not just paint fl...
Posted in
WABISUKEの美学,
乾山,
伝統工芸,
余白の美,
光琳梅,
光琳波,
八橋蒔絵螺鈿硯箱,
尾形光琳,
工芸,
抽象と構図,
日本文化,
日本美術,
江戸時代,
燕子花図屏風,
琳派,
生活と美,
継がれる美,
美の継承,
美意識,
詩的な暮らし
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